It is a life size portrait of a man believed to be based on a death mask accounting for the individualized features of a mature man.
Marble bust of a man analysis.
Marble bust of a man.
Marble bust of a man roman julio claudian period mid 1st century ad accession 12 233 although the surface of this piece has been strongly cleaned and even recut in places evidence of a heavy dark incrustation formed during centuries of burial is still visible especially at the back.
On view at the met fifth avenue in gallery 162.
The expanse of chest and the full fleshy.
With noble bearing this man proudly holds his chin high above his powerful chest.
Mounted on a later carrara marble base.
Such roman portraits were intended to embody societal values such as gravitas dedication to civic duty and virtus excellence of character rather than reproduce an individual s.
The art is reputed to have been a study of a marble or bronze bust.
Roman analysis the portrait above is a roman sculpture terracotta a sculpture made in earthenware representing the bust of a man.
Roman julio claudian period mid first century a d.
The man s close cropped hair furrowed brow the bags under his eyes and his sagging cheeks convey a sense of austerity and a sort of warts and all realism.
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Marble bust of a man mid 1st century a d.
Although the surface of this piece has been strongly cleaned and even recut in places evidence of a heavy dark incrustation formed during centuries of burial is still visible especially at the back.
Made of best quality carrara cast our white marble antique replica busts are highly admired by art collectors and movie studios.
Harwood also chose an unusual antique format for the bust terminating it in a wide arc below the man s pectoral muscles.
Category 15th century and earlier italian antique marble busts.
Sculptor francis harwood chose a black stone to reproduce the sitter s skin tone.
Roman empire marble bust.